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Over the course of the series, Alma will contend with the gangs, militias, demagogues and warlords that control this lawless new no man’s land. Delgado wants to rule this new world-and will stop at nothing to secure that outcome. Throwing gasoline on the flames of that conflict is Parco Delgado (Benjamin Bratt), the popular-and deadly-leader of one of the most powerful gangs in the DMZ.
#Vertigo cast series
The four-part series chronicles the harrowing journey of fearless and fierce medic Alma Ortega (Rosario Dawson), who sets out to find the son she lost in the evacuation of New York City at the onset of the conflict. In addition, the behind-the-scenes creative team added two new award-winning producers to its ranks.Įxecutive produced by Roberto Patino ( Westworld) and acclaimed filmmaker Ava DuVernay, DMZ tells the story of a near future America that’s embroiled in a bitter civil war, leaving Manhattan a demilitarized zone (DMZ) that’s destroyed and isolated from the rest of the world. When I left Hollywood, I went back to being an artist.DMZ, the HBO Max event series based on the acclaimed Vertigo comic by Brian Wood and Riccardo Burchielli, is starting to take shape after announcing nine new cast members along with the characters they’ll be playing. "I felt always that my talent was as an artist," she says. Before a cross-country modeling trip forever altered her trajectory, Novak attended the School of the Art Institute of Chicago on scholarship.
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Yet for Novak, her years in Hollywood remain a kind of deviation in her life. Though Novak worked with many of the day's top directors - Otto Preminger, Billy Wilder, George Sidney - "Vertigo" remains the unquestionable apex of her career. "He was just the greatest person of all," she says. But Novak also has "wonderful memories" of "Vertigo." She praises the freedom Hitchcock gave her to interpret her character, and rhapsodizes about Stewart as a co-star. "As Madeleine, it didn't feel right and that's what was right about it," added Novak. "And he said, 'No, my dear, that's exactly what I want you to wear.' I thought: Of course, he wants Madeleine to feel uncomfortable." That's not something I would have chosen to wear,'" said Novak. I said, 'You know, I really don't like the outfit you chose me to wear.
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"I was very uncomfortable and I told him so. The two initially disagreed on Madeleine's indelible outfit: a gray suit and black shoes. Novak is uneasy in the role, a feeling she credits Hitchcock with purposefully inducing. What's so remarkable about Novak's performance in "Vertigo" is how she expresses an apprehension that she's been sucked into a disturbed male world that desires some version of her that she isn't.
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He never wanted anyone to have anything on him." (Cohn is alleged to have insisted on sex from several female stars, including Hayworth, who detailed her refusals in a 1989 memoir.) "I never had a problem with Harry Cohn," she said. Novak didn't discuss specific names or experiences - "In that period, the same things went on," she said - but spoke supportively of the studio boss who had so much influence over her career. You feel: There must have been something in you that they liked, and yet they wanted to change you." So it was constantly fighting to keep some aspect of yourself, trying to keep some of you. "In the beginning, they hire you because of the way you look, obviously, and yet they try to change your lips, your mouth, your hair, every aspect of the way you look and the way you talk and the way you dress. "I identify so very completely with the role because it was exactly what Harry Cohn and what Hollywood was trying to do to me, which was to make me over into something I was not," says Novak, referring to the iron-fisted Columbia Pictures founder who contracted her. In Scottie's elaborate efforts to recreate Judy as Madeleine, Novak recognized Hollywood's own manipulations of her. Novak's performance in "Vertigo" is exceptional not only because it's two-fold - she plays both the mysterious, suicidal Madeleine and Judy, whose similar appearance to Madeleine mystifies the Scottie (Stewart), the obsessed detective who had trailed Madeleine before her apparent death - but because it's so representative of how male fantasies are projected onto women.